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Clavecin primitif, Weimarer Wunderbuch ca. 1440
Clavicytherium (oben rechts) (Michael Praetorius, um 1620)
Collegium musicum from Gymnasium illustre at Lauingen, Germany, Tempera on paper, Stammbuchblatt 1590, Owner Dr. M. Wandersleb
Gravure de Cornelis Cort (1565) Allégorie de la Musique avec un virginal rectangulaire de type flamand
Crispijn de Passe, “Ronda nocturna de carnaval”, grabado incluido en el impreso “Academia, sive Speculum vitae scolasticae”, Utrecht, 1612 y en otros impresos posteriores
Frontispice,Reglas y Advertencias generales 1754. Minguet e Yrol Pablo, vers 1700 - v. 1766
Painting by Michiel I Coxcie (1569-1616) © Prado Museum, Madrid
Blanchard, Jacques Saint Cecilia-17th.c © The State Hermitage Museum - St Petersburg Russian Federation - St. Petersburg
A Young Woman Seated at the Virginals by Johannes Vermeer, c. 1670–72
A lady at the virginals with a gentleman, known as ‘The Music Lesson’, Jan Vermeer van Delft , circa 1662–1665, Windsor/London, The Royal Collection
A Young Woman Seated at the Virginals by Johannes Vermeer, c. 1673-75
Emanuel de Witte, Alkmaar vers 1617 – Amsterdam 1692, Intérieur avec une femme jouant du virginal, Vers 1660-1667
Hendrick Martensz Sorgh, Girl at a virginal
Cornelis de Vos, Girl at a Virginal
The Concert by Ter Borch
Woman playing harpsichord
by Jacob Ochtervel
Young Lady on keyboard by Jan Steen
Gerard Dou, Woman at the Clavicord', Dulwich Picture Gallery, London
Lute Player Seated at a Virginal, Eglon van der Neer (1634–1703), © Museum Boijmans Van Beuningen, Rotterdam
Lippi, Lorenzo: Allegorie der Musik , 2. Drittel 17. Jh., © Sammlung A. Busiri Vici, Rom
Oil painting by Johannes Voorhout, "Allegory on Friendship" (1674), one of the only known depictions of composer Dietrich Buxtehude
The harpsichord lesson by Jan Steen
A painting called "The Concert" by A D Gabbiani. There are several violinist, and cellist and a harpsichord player.
Jean-Marc-Nattier, Autoportrait-&-sa-famille, 1762, Huile-s-toile
Cornelis Troost, Familiegroep bij een clavecimbel
François Boucher, Madame de Pompadour, la main sur le clavier du clavecin, 1750,Huile sur papier marouflé sur toile, Paris, musée du Louvre, département des Arts graphiques
Dame am Cembalo im Fenster. Öl auf Leinwand. 51,5 x 43,5 cm. Deutschland, 18. Jhdt.
Marie Antoinette au clavecin, par Drouais (ou Wagenschön) aux alentours de 1770
Jan Miense Molenaer (1609/1610–1668), Allegory of Vanity, Toledo Museum of Art, Ohio (USA)
Jan Miense Molenaer painted his wife Judith Leyster at the virginal ( harpsichord ) (Rijksmuseum Amsterdam)
The Concert, by Nicolas Tournier
Marco Ricci, Rehearsal of an opera
Louis-Michel Van Loo, Sextet - 1768 - Peinture sur toile, Musée de l'Hermitage, St Pétersbourg
The portrait of Emperor François I’s family, by Martin Van Meytens, 1763
After Caspar Netscher C1840 LG Folio Print. Lady playing Harpsichord. Music
Detail from Paul-Joseph Delcloche's Concert à la cour du prince-évêque de Liège, circa 1755
Feast in the house of the Rich Man, Engraving, Passe, Crispijn de (the younger), born 1593 - died 1670 © V&A Images
„Aria Allegretto“. Vornehme Dame am Cembalo. Öl auf Leinwand. Deutsch 18. Jh.
16th century, France. Maius, an anonymous 16th-century woodcut depicting an outdoor scene in France, Paris, © Bibliotheque Nationale, Salmen, Gartenmusik
Jean-Marc Nattier, PORTRAIT OF FRANCIS GREVILLE, BARON BROOKE, LATER 1ST EARL OF WARWICK (1719–1773)
GAINSBOROUGH, Thomas, Johann Christian Fischer (1780)
Margaret Dicksee Sheridan at the Linleys 1899
Johann Georg Platzer (1704–1761), Das Konzert, © Germanisches Nationalmuseum, Nürnberg
Il Concerto – Gaspare Traversi , 1755, © Villa Pignatelli e Museo del Principe Diego Aragona Pignatelli Cortés
Saint Cecilia, John Melhuish-Strudwick
Cembalo, einmanualig, Anonym, 2. Hälfte 17. Jahrhundert, Italien, I.A.Baffo, Germanisches Nationalmuseum Nürnberg ©Foto: M. Runge
Italian Harpsichord Single-manual, Original Girolamo de Zentis 1658 ©2007-2013, Piccola Accademia di Montisi
Harpsichord, ca. 1675 Made by Michele Todini (Italian, 1616–1690) Rome, Italy, Photo © The Metropolitan Museum of Art
A Unique and Highly Important Neapolitan double-manual Cembalo-Tiorbino (Theorbo-Harpsichord) attributed to Gasparre Sabbatino Naples, Circa 1710, © PELHAM GALLERIES
Hieronymus Albrecht Hass, Hambourg 1740, ehem. Instrument von Rafaël Puyana © AUCTIONART, Paris
AN ITALIAN HARPSICHORD 17TH CENTURY © 2002–2015 LiveAuctioneers. All Rights Reserved.
Clavecin Ruckers, 1632 et 1745, © Neuchâtel, Musée d’Art et d’Histoire
Jean Marie Dedeban, (fl Paris, 1770-1791), A two-manual harpsichord, Paris, 1770 © 2015 Sotheby’s
Harpsichord by Michel Richard, Paris, 1688, French, 17th century, The Albert Steinert Collection ® Yale University Collection of Musical Instruments
Cembalo v. Tony Chinnery, Taskin-Kopie von 2012, bemalt von Eleonora Banchi
Harpsichord Bancroft, Vaudry Family, 1681, © Victoria and Albert Museum
Late 17th century Cristofori Harpsichord, Collection Geneviève Thibault de Chambure
Harpsichord, 1667, Anonymus © 2015 Museum of Fine Arts, Boston
Cembalo, Giuseppe Mondini 1701 Florenz, ©Foto Museum für Kunst und Gewerbe, Hamburg
Claviembalo di Padre Fabio da Bologna - 1686 - © CollezioneTagliavini
Harpsichord from Girolamo Zenti, Rome, Italy 1666 Photo © The Metropolitan Museum of Art
The Baffo Harpsichord, by Giovanni Antonio Baffo, Venice, Italy, 1574, © Victoria & Albert Museum, London
Clavecin de Vincent Tibaut, Toulouse 1679 Bruxelles, © Musée des Instruments de Musique
Harpsichord France, Pascal-Joseph Taskin 1786 and 1856 (restoration (process)). © Victoria & Albert Museum, London
Harpsichord, 1772, Shudi & Broadwood (English, about 1769–1790s English) © 2015 Museum of Fine Arts, Boston
Double Virginal von Lodewijck Grouwels, 1600, Niederlande, © Metropolitan Museum of Art, New York
Hans Ruckers, 1581 double muselar mother-and-child virginal, © Metropolitan Museum of Art, New York
Spinett, Annibale Rossi, Milano, 1577 © Victoria and Albert Museum, London (GB)
The Theewes Claviorgan, Lodewyk Theewes, London, 1579 © Victoria and Albert Museum, London (GB)
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